The success factors for becoming (and staying) a member of Stroom: Dutch nationality, diploma from a Dutch art school preferably the KABK, knowing to sell yourself as an artist, being friend of the director or pretending to like what he considers art and be male or behave like a male.
Foreign artists, with studies, exhibitions and constant involvement with art, are treated as serfs who have to report to the master every 2-3 years about their activities and their incomes. This master though is financed by the state where these foreign artists also pay tax through their art organisations or individual movements or even through other incomes (day-time jobs, night-time jobs, private assets, etc.).
Arno van Roosmalen, director of Stroom, should apologize to the artists of The Hague and to the city itself for suffocating them in a mediocre provincialism (even for a state managed artworld as the case is in the Netherlands).